I've been a little busy writing my book this year so blog posts have been a bit thin on the ground. It was only as I was packing up for a short Christmas vacation that I realised I hadn't even compiled my list of favourite maps from the year. So, with some of the world already embarking on 2018 here's a selection of maps that piqued my interest in 2017...in no particular order.
Trump's World by Phoebe McLean (age 15)
There probably isn't a better summary of the world in 2017 than this lovely hand-drawn map which won an ICA Children's map competition award
Planet Brewdog by Craig Fisher
It's just a map of Brewdog locations but it's massive and a perfect way to fill up an otherwise plain wall in a modern industrial brewery facility. Here, in the Columbus OH tap room.
Winter Map of Montana by Kevin Nelstead
I particularly like the halos on the white labels :-)
Tactile Atlas of Switzerland by Anna Vetter
Beautifully produced atlas for the blind and partially sighted using raised printing.
Cinemaps by Andrew Degraff
Stunning axonometric maps of over 30 films charting major plot lines and characters as they move through the film's landscape.
The new Swiss World Atlas by the Institute of Cartography and GeoInformation at ETH Zurich
A stunningly beautiful, rich and detailed atlas for secondary school children...actually, for anyone!
Blue and White Dream by anon (China)
Making a map with only a single hue is hard. This is visually stunning, especially set within a large Chinese wall hanging. Apologies, I don't know who created it.
Where the Animals Go by James Cheshire and Oliver Uberti
OK, so the UK version was published in 2016 but the American version was definitely published in 2017 and therefore qualifies. After the success of London: The Information Capital, James and Oliver hit gold again with this award-winning atlas of over 50 great maps plotting animal movement.
San Diego Emoji map by Warren Vick and Europa Technologies
Using gridded emoji is a great idea for a one-off map.
Fifty years of cyclone paths inside the Philippines by David Garcia
Just the lines drawn by the data but revealing the shape of the islands and, with it, the scale of the phenomena.
World Happiness by National Geographic Magazine
I'm a sucker for a multivariate Dorling cartogram Chernoff Face combo.
Lights On and Lights Out by John Nelson
Simple idea mapping the difference between NASA's 2012 and 2017 Earth at Night imagery. Exquisitely rendered.
The best places to see the eclipse by Josh Stevens and NASA
The use of clouds to show, err, the likelihood of cloudcover (and the inverse, clear skies) for the 2017 Solar Eclipse. Simple. Effective.
The Melting of Antarctica by Lauren Tierney
Stunning spread in National Geographic. Great composition and use of angle and projection to tell this story.
U.S. Airport ID requirements by The Washington Post
Neat, interactive use of the gridded cartogram
Dirk's Lego World map by Dirk
Because...maps AND Lego!!!
Hand-stitched London Underground by Tasha Wade
Gifted to me. Unique. One-of-a-kind. Thank you :-)
Trump's Ties by Kenneth Field
It's my list so here's my effort...I still quite like it. Won the Society of Cartographers Wallis Award too :-)
Sunday, 31 December 2017
Monday, 11 September 2017
Pointilist cartography
The Washington Post have published an article that explores alternative methods for mapping elections. "Toward a more perfect 2016 presidential election results map" does an excellent job of establishing the problem of mapping totals in massively different geographical units. They don't really explain you have to normalize the totals but, instead, leap to the population-equalizing density cartogram as one alternative before quickly dismissing it as hard to read.
They then offer a map that takes precinct level data and scales the results by number of votes.
What they seem to have done is created a proportional symbol map with very small circular symbols that have been scaled across a ridiculously small size range. They've used a lot of transparency to allow overlapping symbols to build a composite patch of more opaque colour in areas with a lot of small geographical areas.
This is pointilist cartography (note, I said pointilist, not pointless). Proportional symbol maps are not new. Neither are dot density maps. This version isn't particularly innovative but it does do a very good job of mitigating the perceptual problems of widely varying geographical areas. Each place gets the same symbology treatment and, so, the map provides a well balanced mix of red and blue with a lot of white space in between. They used a symbol treatment that goes from red through white to blue with the intermediate colours reserved for marginal precincts. I like this approach. It avoids the unusual purple often used for areas that are finely balanced. It means the map brings focus to those areas that are more partisan. Of course, with a shift in the symbology you could bring focus to marginal areas if that was the map you wanted to show.
A similar approach is to use solid fills for small areas and then show larger areas as small circular symbols. Mixing the techniques on a single map can be useful and also mitigates the visual impact of large areas. Here's an illustration using the technique that I recently made for my forthcoming book. The top is a standard choropleth with a diverging colour scheme. The bottom is the pointilist version.
So, overall I really like this kind of approach to deal with perceptual issues. But the article does hide a more interesting problem. The opening paragraph is at pains to say we've been over this ground before. We have - ad nauseam. Yet so many prefer the standard choropleth and, worse, sometimes with totals. But when they suggest it's a problem for the 'designer' that's where the real problem lies. Everyone these days is a bloody 'designer'. But everything is designed. I always balk when someone tells me they're a designer. A designer of what precisely? Furniture? Buildings? UI? Maps? A cartographer knows how to map election data. They know the problems and they know the solutions that best deal with particular visual issues to get to a map that matches a particular narrative. Far too many 'designers' are busy scrambling to try and figure out how to overcome problems that have already been figured out.
Talk to a cartographer. That's their job. They know what they're doing and likely have a good solution. Pointilist cartography isn't new. I'm pleased to see articles like the one I note here picking up these techniques. I just hope they get used a little more rather than being marginalized by 'designers' who default to the standard choropleth.
They then offer a map that takes precinct level data and scales the results by number of votes.
What they seem to have done is created a proportional symbol map with very small circular symbols that have been scaled across a ridiculously small size range. They've used a lot of transparency to allow overlapping symbols to build a composite patch of more opaque colour in areas with a lot of small geographical areas.
This is pointilist cartography (note, I said pointilist, not pointless). Proportional symbol maps are not new. Neither are dot density maps. This version isn't particularly innovative but it does do a very good job of mitigating the perceptual problems of widely varying geographical areas. Each place gets the same symbology treatment and, so, the map provides a well balanced mix of red and blue with a lot of white space in between. They used a symbol treatment that goes from red through white to blue with the intermediate colours reserved for marginal precincts. I like this approach. It avoids the unusual purple often used for areas that are finely balanced. It means the map brings focus to those areas that are more partisan. Of course, with a shift in the symbology you could bring focus to marginal areas if that was the map you wanted to show.
A similar approach is to use solid fills for small areas and then show larger areas as small circular symbols. Mixing the techniques on a single map can be useful and also mitigates the visual impact of large areas. Here's an illustration using the technique that I recently made for my forthcoming book. The top is a standard choropleth with a diverging colour scheme. The bottom is the pointilist version.
So, overall I really like this kind of approach to deal with perceptual issues. But the article does hide a more interesting problem. The opening paragraph is at pains to say we've been over this ground before. We have - ad nauseam. Yet so many prefer the standard choropleth and, worse, sometimes with totals. But when they suggest it's a problem for the 'designer' that's where the real problem lies. Everyone these days is a bloody 'designer'. But everything is designed. I always balk when someone tells me they're a designer. A designer of what precisely? Furniture? Buildings? UI? Maps? A cartographer knows how to map election data. They know the problems and they know the solutions that best deal with particular visual issues to get to a map that matches a particular narrative. Far too many 'designers' are busy scrambling to try and figure out how to overcome problems that have already been figured out.
Talk to a cartographer. That's their job. They know what they're doing and likely have a good solution. Pointilist cartography isn't new. I'm pleased to see articles like the one I note here picking up these techniques. I just hope they get used a little more rather than being marginalized by 'designers' who default to the standard choropleth.
Monday, 28 August 2017
Too much rain for a rainbow
National Weather Service today updated its rainbow colour scheme because of the unprecedented deluge caused by Hurricane Harvey in Texas.
Bravo for NWS in modifying its cartographic approach given a change in the phenomena it's mapping. Except they didn't do a very good job.
Old:
New:
The previous classification had 13 classes. the new one simply adds two more at the top end to deal with larger rain totals. In fact, all they've done is added detail to the 'greater than 15 inches' class and sub-divided it into three classes '15-20', '20-30' and 'greater than 30'. It'd be pedantic of me to note they still have overlapping classes (they do) but the bigger problem is they retained the same rainbow colour scheme and then added two more colours...a brighter indigo and then a pale pink.
Does that light pink area in the new map above look more to you? Or perhaps a haven of relative stillness and tranquility amongst the utter chaos of the disaster? Yes, the colours are nested and so we can induce increases and decreases simply through the natural pattern - but the light pink could just as easily be seen as a nested low set of values than the more it is supposed to represent.
For a colour scheme that is trying to convey magnitude...more rain...more more more, you need a scheme that people perceive as more, more, more too. Different hues do not, perceptually, do that. Light pink does not suggest hideous amounts of rain compared to the dark purples it is supposed to extend.
We see light as less and dark as more. Going through a rainbow scheme where lightness changes throughout (the mid light yellow at '1.5-2.0' inches is a particular problem) isn't an effective method. Simply adding colours to the end of an already poor colour scheme and then making the class representing the largest magnitude the very lightest colour is weak symbology. But then , they've already used all the colours of the rainbow so they're out of options!
The very least they should have done is re-calibrated the classes to make the largest class encompass the new, out-of-all-known-range range. You can't simply add more classes when you're already maxed-out of options for effective symbolisation.
Better still, look around and learn how it should be done. The Washington Post has made a terrific map using a colour scheme that does have a subtle hue shift but whose main perceptual feature is the shift in lightness values. So we see more, more more as the colour scheme gets darker. It's simple. it really is.
The scientific community continues to use poor colour schemes and poor cartography to communicate to the general public. At least the mainstream media is doing a much better job.
[Update 29.8.2017 to include the New York Times piece]
New York Times today published one of the best maps I have seen in a long while. I mean 'best maps' of anything, not just the continuing deluge in Texas. Its simplicity belies its complexity and that's the trick with good cartography. Here's a pretty lo-res grab but go to the site and take a look.
They've got the colours spot on, A slight hue shift to emphasize light to dark but cleverly hooking into the way in which we 'see' deeper water as darker blue. Of course, it isn't really deeper blue but the way light is reflected, refracted and absorbed by water gives us that illusion. So, it acts as a visual anchor that we can relate to.
There's other symbology too - small gridded proportional circles that show the heaviest rainfall in each hour. The map is an animation so this gives a terrific sense of the pulsing nature of the movement of successive waves of rain (literally, waves!). The colours morph towards the higher end as the animation plays to build a cumulative total. This also has the effect of countering the natural change blindness we see when we're trying to recall the proportional symbols.
The two symbols work in harmony. And then, for those who want detail a hover gets you a graph showing the per hour total over the last few days.
These aren't the only maps in the NYT piece. The article is full of them. Each one carefully designed to explore a specific aspect of the disaster: the history of storms, reports, evacuations etc.
It's maps like those from The Washington Post and New York Times that prove that good cartography does exist and it matters. We really don't deserve the sort of maps that NWS pumps out. They're just really awful to look at, fail on a cognitive level and prove they haven't the first clue about how to effectively communicate their own science and data.
The irony is that the NYT map uses the NWS data of the rainfall data to make their own version and prove that it's perfectly possible to make terrific maps that communicate and which once again give us more reasons to #endtherainbow. Well played.
#endtherainbow
#Harvey in perspective. So much rain has fallen, we've had to update the color charts on our graphics in order to effectively map it. pic.twitter.com/Su7x2K1uuz— NWS (@NWS) August 28, 2017
Bravo for NWS in modifying its cartographic approach given a change in the phenomena it's mapping. Except they didn't do a very good job.
Old:
New:
The previous classification had 13 classes. the new one simply adds two more at the top end to deal with larger rain totals. In fact, all they've done is added detail to the 'greater than 15 inches' class and sub-divided it into three classes '15-20', '20-30' and 'greater than 30'. It'd be pedantic of me to note they still have overlapping classes (they do) but the bigger problem is they retained the same rainbow colour scheme and then added two more colours...a brighter indigo and then a pale pink.
Does that light pink area in the new map above look more to you? Or perhaps a haven of relative stillness and tranquility amongst the utter chaos of the disaster? Yes, the colours are nested and so we can induce increases and decreases simply through the natural pattern - but the light pink could just as easily be seen as a nested low set of values than the more it is supposed to represent.
For a colour scheme that is trying to convey magnitude...more rain...more more more, you need a scheme that people perceive as more, more, more too. Different hues do not, perceptually, do that. Light pink does not suggest hideous amounts of rain compared to the dark purples it is supposed to extend.
We see light as less and dark as more. Going through a rainbow scheme where lightness changes throughout (the mid light yellow at '1.5-2.0' inches is a particular problem) isn't an effective method. Simply adding colours to the end of an already poor colour scheme and then making the class representing the largest magnitude the very lightest colour is weak symbology. But then , they've already used all the colours of the rainbow so they're out of options!
The very least they should have done is re-calibrated the classes to make the largest class encompass the new, out-of-all-known-range range. You can't simply add more classes when you're already maxed-out of options for effective symbolisation.
Better still, look around and learn how it should be done. The Washington Post has made a terrific map using a colour scheme that does have a subtle hue shift but whose main perceptual feature is the shift in lightness values. So we see more, more more as the colour scheme gets darker. It's simple. it really is.
The scientific community continues to use poor colour schemes and poor cartography to communicate to the general public. At least the mainstream media is doing a much better job.
[Update 29.8.2017 to include the New York Times piece]
New York Times today published one of the best maps I have seen in a long while. I mean 'best maps' of anything, not just the continuing deluge in Texas. Its simplicity belies its complexity and that's the trick with good cartography. Here's a pretty lo-res grab but go to the site and take a look.
They've got the colours spot on, A slight hue shift to emphasize light to dark but cleverly hooking into the way in which we 'see' deeper water as darker blue. Of course, it isn't really deeper blue but the way light is reflected, refracted and absorbed by water gives us that illusion. So, it acts as a visual anchor that we can relate to.
There's other symbology too - small gridded proportional circles that show the heaviest rainfall in each hour. The map is an animation so this gives a terrific sense of the pulsing nature of the movement of successive waves of rain (literally, waves!). The colours morph towards the higher end as the animation plays to build a cumulative total. This also has the effect of countering the natural change blindness we see when we're trying to recall the proportional symbols.
The two symbols work in harmony. And then, for those who want detail a hover gets you a graph showing the per hour total over the last few days.
These aren't the only maps in the NYT piece. The article is full of them. Each one carefully designed to explore a specific aspect of the disaster: the history of storms, reports, evacuations etc.
It's maps like those from The Washington Post and New York Times that prove that good cartography does exist and it matters. We really don't deserve the sort of maps that NWS pumps out. They're just really awful to look at, fail on a cognitive level and prove they haven't the first clue about how to effectively communicate their own science and data.
The irony is that the NYT map uses the NWS data of the rainfall data to make their own version and prove that it's perfectly possible to make terrific maps that communicate and which once again give us more reasons to #endtherainbow. Well played.
#endtherainbow
Thursday, 24 August 2017
GIS maps
There's no such thing as GIS maps. GIS is a Geographical Information System (by the way, it's not a GIS system). It's also the acronym for Geographical Information Science. You can do a lot by combining GI Systems with GI Science. One function of which is to make maps. But they're not a special breed. They're just maps, much like you'd make a map using many other tools.
Making maps (part of cartography) has always been a combination of art, science and technology. Get that magic recipe right and you'll make a pretty good map. If any of the three pillars drops short on quality or because of your ability to control them then you'll likely end up with a substandard map. GIS, then, is a core technology that supports cartography. It also does a lot more through its multitude of geospatial functionality. Of course, many people make maps using GIS because it's a core output. The map communicates results of analysis, illustrates natural and human conditions and tells stories. There's many different mediums of map that a GIS can support - web, animated, 3D, print, atlas etc. These are the maps. They're not GIS maps.
I can't recall a time during my career when I ever called one of my maps a pen map, photo-mechanical map, scribed map, MS Paint map, Coreldraw map, Aldus Freehand map, Adobe Illustrator map, Flash map, Javascript map, Silverlight map, HTML map, GIS map et al.. Maps have always been made using different technologies. They continue to be made by different technologies. Your choice of tools is underpinned by multiple influences but you don't strive to make a GIS map. Hopefully you strive to harness the opportunities of your chosen tools and go beyond the defaults to make a map that cannot be defined by your tool of production. Of course, no map-making software is perfect and we all work within limitations but that's always been the case with any map design and production technology.
It's true that many maps made using GIS have a similar appearance but that's the fault of the person making them because they do not go beyond the defaults. It's why you can often spot a map made using GIS because the defaults can be like a fingerprint. If not modified, line weights, styles, colours and fonts all scream of your chosen map-making software. We therefore end up with what I think people mean when they refer to GIS maps - a data dump that lacks design and has common styling characteristics and a particular visual aesthetic. I'd simply call those crap maps rather than blame the software.
Defaults are a necessity in any mouse-driven maps (see what I did there?). They give people a starting point in the software and, over time, they really have improved tremendously. But you're still expected (advised?) to then apply some art and science to make something fit for purpose because, although defaults iterate and improve, it's pretty much impossible for a piece of software to know your precise requirements. Sure, sometimes a default is fine but becoming a smarter mapmaker demands that you critically evaluate what the software gave you and adjust if necessary.
All so-called GIS maps are not the same. I see plenty of pretty crap maps made by people using GIS. I also see some absolutely exquisite maps. I might also say the same about maps I see by people who use Illustrator or Javascript yet no-one pigeonholes those maps by their technology de choix. It therefore strikes me as a little unreasonable to paint maps made by GIS as a special case. A map is a map.
So, just a heads up - if you tell me you've made a GIS map I'll immediately think it's an ill-designed data dump. If you tell me you've made a stick chart for navigating the oceans then you've just made the exception to the rule because that genuinely is a chart made of sticks (ht to Craig Williams for that!). I guess hand-drawn maps might also be a special case though, of course, pretty much all maps are made by hand, mediated by particular instruments.
Making maps (part of cartography) has always been a combination of art, science and technology. Get that magic recipe right and you'll make a pretty good map. If any of the three pillars drops short on quality or because of your ability to control them then you'll likely end up with a substandard map. GIS, then, is a core technology that supports cartography. It also does a lot more through its multitude of geospatial functionality. Of course, many people make maps using GIS because it's a core output. The map communicates results of analysis, illustrates natural and human conditions and tells stories. There's many different mediums of map that a GIS can support - web, animated, 3D, print, atlas etc. These are the maps. They're not GIS maps.
I can't recall a time during my career when I ever called one of my maps a pen map, photo-mechanical map, scribed map, MS Paint map, Coreldraw map, Aldus Freehand map, Adobe Illustrator map, Flash map, Javascript map, Silverlight map, HTML map, GIS map et al.. Maps have always been made using different technologies. They continue to be made by different technologies. Your choice of tools is underpinned by multiple influences but you don't strive to make a GIS map. Hopefully you strive to harness the opportunities of your chosen tools and go beyond the defaults to make a map that cannot be defined by your tool of production. Of course, no map-making software is perfect and we all work within limitations but that's always been the case with any map design and production technology.
It's true that many maps made using GIS have a similar appearance but that's the fault of the person making them because they do not go beyond the defaults. It's why you can often spot a map made using GIS because the defaults can be like a fingerprint. If not modified, line weights, styles, colours and fonts all scream of your chosen map-making software. We therefore end up with what I think people mean when they refer to GIS maps - a data dump that lacks design and has common styling characteristics and a particular visual aesthetic. I'd simply call those crap maps rather than blame the software.
Defaults are a necessity in any mouse-driven maps (see what I did there?). They give people a starting point in the software and, over time, they really have improved tremendously. But you're still expected (advised?) to then apply some art and science to make something fit for purpose because, although defaults iterate and improve, it's pretty much impossible for a piece of software to know your precise requirements. Sure, sometimes a default is fine but becoming a smarter mapmaker demands that you critically evaluate what the software gave you and adjust if necessary.
All so-called GIS maps are not the same. I see plenty of pretty crap maps made by people using GIS. I also see some absolutely exquisite maps. I might also say the same about maps I see by people who use Illustrator or Javascript yet no-one pigeonholes those maps by their technology de choix. It therefore strikes me as a little unreasonable to paint maps made by GIS as a special case. A map is a map.
So, just a heads up - if you tell me you've made a GIS map I'll immediately think it's an ill-designed data dump. If you tell me you've made a stick chart for navigating the oceans then you've just made the exception to the rule because that genuinely is a chart made of sticks (ht to Craig Williams for that!). I guess hand-drawn maps might also be a special case though, of course, pretty much all maps are made by hand, mediated by particular instruments.
Monday, 14 August 2017
Map Mediocrity
I often get
accused of holding maps and map makers to too high a standard. I can live with that. The people who make such accusations generally demonstrate low cartographic standards and tend to use them as an excuse for their lack of taste in cartographic decency or the standard of their own maps. It's a very easy accusation for people to make to justify their own lack of standards.
In a few weeks I'm presenting at the Society of Cartographers/British Cartographic Society Maps for Changing Reality conference in Durham in the UK and then, a short time after, the TOSCA 25th anniversary celebration conference on Enlightening Maps in Oxford. Both talks are loosely based on the idea of fake maps so I've been mulling over this idea of map mediocrity and why it is that there's a general malaise. Sure, we see some terrific maps but where are our standard bearers? What are we comparing maps to and what is the baseline of quality that we should seek?
I spent some time recently leafing through some beautiful maps from the 1950s and 1960s. Maps made over half a century ago by people who had nothing more than pens, rulers, scribecoat and so on. Now, granted, the collection is obviously heavily slanted towards a set of high quality work so there weren't many duds but my word, the maps were just simply beautiful. They were intricate, clear, made with a meticulous eye for detail and just superb works of art. This isn't to say fake maps never existed. They did and they came in many guises. And I'm not trying to yearn for a glorious golden age of cartography to resurface. What I hope to do is persuade people that we can up our modern game by simply taking on board some of the ethos of our cartographers of yesteryear or, at the very least, properly promote true quality in both maps and the cartographers that make them in our contemporary mapping landscape.
So many
modern maps are fêted and held up as 'great maps' or they go viral or they're liked a gazzilion times but compare them to maps made 50+ yrs ago by likes of Hal
Shelton and you'll see them for what they are. They are mediocre at best. People's general standards are at an all time low and despite many attempts to improve people's level of expectation it seems to be against a huge tidal swell of populist, pointless and poorly made maps.
Part of the presentation in Durham will be Steve Chilton and I sharing our list of #cartofail maps ahead of the 2017 Society of Cartographer's Gromit award. And there's dozens of contenders. This will be the fourth or fifth annual award. It doesn't matter much - it's just a bit of fun really; but there is an important subtext. The need to change people's expectations and reset them to something better has to take hold at some point else we'll forever be looking at rainbow colour scales, incorrectly projected data, non-normalized choropleths, glitzy animations (and sometimes all of these on one map!) and, worse, people constantly saying how a particular map is great, or trending, as if that actually matters.
What matters is that these people who clearly don't know the difference between a good and bad map need to stop. They need to give up the rhetoric, stop trying to sell shit and spend a little more time being considerate about cartography. Not every map is made equally. We should reserve our praise for those maps that really do offer something both functionally and visually. We should help people learn the difference and if they don't want to then they should be politely be invited to go find something else to comment on.
Mediocrity breeds mediocrity. It should
embarrass people that their map, made with modern tech that supports so much gets nowhere near what
someone with a pen could do decades ago. Yet it so often doesn't. I know people who brazenly showcase maps and talk about them as if they are something genuinely new, innovative, creative and beautiful when they are anything but. The sadness is they likely aren't aware they don't know the difference. I've tried talking to some of these types of people but it's intriguing that the old accusation of holding too high a standard resurfaces. It seems that the idea that if you say it, it must be true, is the only mantra they believe because these sort of people don't care anyway. But if we held maps to a higher standard and had more quality with which to challenge their mediocrity they would eventually have to step up or move on.
We live in
an era where a lack of thinking, awareness and time spent on map design is
accepted. Study old maps. Explore the craft. See how modern gems evidence lineage and show a development in the craft. As Bruce Lee said "Absorb what is useful. Discard what is not. Add what is uniquely your own". But to be able to make a decent map you must first know a little about what makes one and, importantly, what makes a poor one.
Far too
many people just make noise with their daily claims of another 'great map'. Hold it
up to scrutiny. Hold them up to scrutiny. Beware hyperbole and don't give mediocrity a place in the cartographic canon.
I don't
have particularly high standards. But I do compare work across the ages and
wonder how we became satisfied with mediocrity. I simply think if a job is worth doing it's worth doing right and that's really what I hold my own work accountable to. Mediocrity leads to fake maps or, put another way, a load of maps that ought to be considered fakes. They are dressed up but they all too often mislead the innocent.
We should
be making maps that are so much better. A few are. Far too many fool themselves
with their own acceptance of mediocrity and they consequently translate that to their readers. We can all do better.
I'll be
talking about this at #mapreality & #TOSCA25. Don't forget to share your examples for the 2017 #Gromit award by tweeting your favourite #cartofail maps to either me @kennethfield or Steve Chilton @steev8. If you're coming to either event then bring something to wipe that eye - you'll either be laughing or crying or both!
Tuesday, 27 June 2017
Keep the user in mind
I nearly splurged my Corn Flakes all over the breakfast table this morning as I saw various people begin lauding the merits of a new map tool called 'cartogram'. As an avid fan of most forms of cartogram I was immediately interested. Cartograms are hard to make...hard to make well. Was there a new tool to help?
Imagine my surprise when I launched the tool to find it has absolutely sweet FA to do with cartograms. You take a picture, or use one and the map gets 'styled' according to colours in the picture.
Cartogram?
That word cartogram already has a meaning - a map on which statistical information is shown in diagrammatic form That surely couldn't have been too hard to find? Except Mapbox have re-appropriated the noun as a product that allows you to 'make a map style by dropping an image on the map'.
It doesn't even do that. Style is so much more than just getting an algorithm to take colours from an image and then re-colour basic elements of the map. It allows you to re-colour land, buildings, water, roads and labels. Look, here's a Mona Lisa map style I made:
And this is what happened when I tried to style my map like Google's map:
But my point about it not really being a styling tool is evident when you do want to have some control. This is as close as I could get to Google's Map...and it isn't very close.
Here's my final effort before I got bored...look, it's the Ron Jeremy map:
I'm sure others can be more inventive....
Like I said, style is so much more than basic colouring in by numbers. It's about working with consistent denotation, about placement and typographic control. It's about careful generalization - selection, omission, simplification etc. It's about composition and the human act of making choices to reflect a particular look and feel; a certain aesthetic that ties in with the map's purpose and your desires for the map.
Look, don't get me wrong. It's fun. It's click bait to get you to want to save your map and sign up. I get it. But why can't the thing have a different name. Something that neither sullies a word already in very clear mainstream cartographic use AND something that actually says what the thing does. This isn't the first time there's been a lack of invention in cartographic circles. It wasn't long ago that we saw an entire company decide to truncate its name to an abbreviated form of the word cartography itself. We use the term carto every day, but not to refer to a company.
For my money it's just lazy. It's a lazy choice of name and it's mistakenly suggesting this is what map styling is all about. Come up with a decent name and sell what it is, not what you think you can get away with by corrupting a term that already exists and is well understood. Think of something original. Don't constantly look to take something and try and turn it into some sort of game.
As cartographers are always told, you need to keep the user in mind. With more and more of this sort of bastardization of nomenclature all we do as an industry is confuse the hell out of people.
Just to avoid confusion, here's the entry on cartograms for my forthcoming book. I am not going to change it but I'd recommend it as reading for those who just killed a little piece of cartography with their poor choice of marketing BS. By the way, the book is called Cartography. Because that's what it's about. I also wrote the entry on cartograms for the forthcoming v2.0 of the GIS&T Body of Knowledge. I'm not changing that either.
Wednesday, 29 March 2017
UK cartography (and the failing British Cartographic Society)
Setting the scene
Cartography has and continues to change dramatically. Societies
that represent rapidly changing disciplines or communities of practice must also
keep pace. In my view the British Cartographic Society has not kept pace and in what follows I set out why I
hold this view and what I believe is a way forward. In the interests of transparency I feel it's
best to do this openly. I have expressed many of these opinions and
observations to key people so it should be no surprise to them in particular.
Making these issues public seems the only way to prompt a serious debate about the UK cartographic community and the
purpose, form and function of BCS in particular.
I've
become increasingly frustrated with the BCS because I see a failing society and one that is simply limping along. I am not alone in these
thoughts but maybe spending a few years in the U.S. makes me a little less
'British' and reserved about voicing these issues. A society that
represents those invested in it should be capable of impartially listening to
the views of its members. My thoughts stem from a passion for cartography, the people
involved, the need for a thriving community of cartographers and map-makers and
a relatively lengthy association with BCS.
I’m not alone in my thinking. Many people have privately voiced their deep concerns at how the society is shaping up and working, some expressing their view that it is going backwards and many encouraging me to speak out and convey a widely shared view of reality. I'm not going to implicate individuals because they have their own reasons for speaking out or not. This is very much my view of the society but I know I am not alone. It is a very long read though. It's a dissertation. It's been gestating for a few months and I'm indebted to the few people I have shown drafts to for their comments and wise words.
The crux of the matter
BCS is failing. Let's ask the hard questions that need asking and make the Society
actually mean and offer something going forward for UK cartography....or reconsider the very
purpose of the society and seek an alternative. I’d like to see profound change
in what is offered; a society that makes me want to belong and which is the place
I go to for my daily cartographic shot. I want to go beyond the scant reward of
a re-branded society who think newly monogrammed pencils, pens and rulers will
keep me interested. At the moment I see an error-strewn and content-less web
site, a late Journal which is getting thinner, a conference that is costly and
not particularly interesting and a rhetoric that says everything is rosy and dynamic.
It really isn’t.
My fundamental pitch is that I'm convinced BCS is on its last legs. We (as in the community of cartographers and map-makers) should look
towards forming a new society. The best approach in my mind is one that merges BCS with the other cartography society - the Society of Cartographers.
BCS and SoC need to get round the table, cast aside personality and work
towards a solution for the betterment of cartography as a whole. Form a
brand new society that brings everyone together and starts afresh with a blank
piece of paper rather than everyone’s well-worn prejudices. Deal pragmatically
with the contested issues.
Cartography has changed so much that the question has to be asked why shouldn't
the professional organisations that are clinging to some desire for relevance
just disband, reform and go again? What about the Royal Society of Cartography?
We've got a geographer Prime Minister and a geographer future King. Maybe it
needs a bold step to shake off the shackles of the current and move forward
with something new and daring to which more might feel a sense of commitment, belonging,
value and purpose.
Cartography is burgeoning. There are thousands of new people
making maps, some good, some bad and some ugly but all with something to
contribute and learn from. Make a society that reflects this and gives them a
reason to want to belong. The North American Cartographic Information Society
are managing to keep pace. They have faced many of the same sort of issues over
the last decade but my word they are thriving. Fresh. Dynamic. And I mean that
in a genuine sense rather than just words on a web site. They're on the front
foot. BCS really should look more closely at their model and while not
everything will necessarily translate there are so many great ideas that could
be harnessed. Their annual conference is a fantastic opportunity and
generates so many ideas and relationships. Currently, BCS and NACIS are the
antithesis of each other and, frankly, I hate that when I go to a NACIS event I
genuinely get excited and am challenged and when I go to BCS it's really just
to have a beer with some old friends. NACIS used to call itself a drinking club
with a mapping problem. That's an image they have rapidly shed. BCS has become
a drinking club with a drinking problem because it spends its time drowning its
sorrows in the bars of obscure country retreats. It no longer lives in the real world and is
seriously struggling for identity. It exists to exist and until someone starts
shaking things up it will continue to limp along with a whimper. Re-branding
papers some wide cracks but that's all it does.
In short, BCS is failing because it is no longer relevant. What does it actually do?
What does it really offer me as a Fellow? What does it really
offer to individual members or, conversely, how do they support what BCS does? What do
corporate members really get from
their support of BCS and what can a knowledge of corporate members do for the
individual? What is really there to attract new people to the society? The answers are strikingly simple. At whatever level of membership
you get The Cartographic Journal and Maplines (the magazine). Corporate members
get multiple copies of publications. It’s questionable whether any other
‘benefit’ is really a benefit at all - I mean a real benefit. A listing on a web site and a discount on Ordnance
Survey products is a nice but marginal perk and they do not constitute a strong
motivator for joining the BCS. Corporate members get very little, if any, real promotion of their products
Because in real terms members get so little, I see major issues
and failings of the society. My concerns have been forming for over a decade,
during a period of almost immeasurable change not only in cartography in terms
of the technology in particular, but also more generally with developments in
web technologies and new forms of communication and collaboration. If we take a
single disruptive change like Google Maps just think about how far everything
we do in cartography has been modified by that company in only the last 12
years. Then we look at BCS and assess
how it has responded and adapted to reflect such massive change that directly
impacts our discipline and practice and I for one see a society overtaken by
reality.
I am hugely privileged in that my job means I get to travel the
world to see and share the excitement and vigor which cartography is enjoying
in many contexts. I see hardly any of that reflected in the work of BCS or when
I return to the UK for the annual symposium. The society is treading water,
relying on outmoded ideas and appearing to be rudderless. I've spoken out about various BCS issues in
the past in the hope of encouraging change but very little of real substance
ever happens. There’s a stagnant sense of familiarity about what BCS does and
it concerns me that will only lead to a slow demise as other mechanisms for
sharing, networking and learning among the community of cartography overtakes.
I accept this is not just an issue for BCS because many societies
are feeling the effects of the changing world. How many companies have cancelled
or reduced their membership of societies in recent years? How many individuals of societies let their
membership lapse? I do not have access to the BCS membership database but according
to the financial report for the year ending June 2016, even with new members
joining (130 new members in 2016) there’s also a large number who resign or
fail to renew (88 in 2016). Up to this point, 2015/2016 saw a net gain in
membership but why do so many leave? In fact, are these numbers even accurate
since the minutes of the September 2016 Council meeting state that membership was
down 14% from September 2015. It doesn’t add up and you have to question what
reality is versus what published reports contain. Either way, without members a society is
nothing. Without the ability to change and attract new members who may be new
to mapmaking, but who are massively important in the wider community, a society becomes irrelevant. Yet
most of the events that BCS associates itself with are simply to staff a booth
to attract and recruit new members. To what? Without a real reason to become a
member I can’t see anything other than a decline in membership over the coming
years. Over 10% of the membership left in 2016 and more should be done to
encourage people to stay and to give them real
benefits rather than simply trying to find ways of ensuring the turnover of
members doesn’t result in too much net attrition year on year.
A proliferation of societies
I've long held the opinion that BCS and SoC should merge and I
pretty much led this piece with that clear statement of a sensible way ahead. There simply aren’t
enough people involved in cartography to sustain two societies in their old image any more. In
2007, then Chief Executive of Ordnance Survey Vanessa Lawrence gave the Helen
Wallis lecture at the Annual BCS Symposium in Chester. About a minute into her
talk she stopped, looked around and asked the audience why there was a British
Cartographic Society and also a Society of Cartographers. She urged the two
societies to look at ways of coming together more often and mentioned that
elephant in the room - merger, because there simply wasn't the capacity for two
societies. Vanessa was, of course, right. There was much mumbling among stalwarts of both societies and despite occasional ‘discussions’ one side
invariably accuses the other of being intransigent. We all know why there
remain two societies. They were borne out of very different places in the 1960s
and they have survived, largely unchanged, and in the image of waves of key
members ever since. I might even go so far as suggesting it’s become a badge of
honour to remain apart during the last decade or so at least and
personalities have perhaps become a hurdle too far to overcome the differences.
I sense, in some quarters at least, that a merger is not as improbable as it perhaps has been though there remains a deep-seated discomfort. While it has been really progressive and pleasing that in both 2015 and 2016
(and now 2017) the two societies have shared a conference it has been
noticeably through gritted teeth for many. That’s provided a tangible
discomfort at the events as styles have clearly clashed but I am encouraged
that we’ve come together for three consecutive conferences which has at the
very least avoided two lots of expense and time away from our day jobs. On a
personal level I’ve thoroughly enjoyed the opportunity of seeing the two groups
of people I wish to connect with in the same place at the same time.
The merged conference should be where we genuinely act as a group
of like-minded people who share one passion, albeit in different forms. Maybe
the fact that BCS seem to hold the cards in terms of the overall management of the
conference has led to some of the problems. There’s no doubt SoC are seemingly
rolled into a BCS event rather than it being a truly merged, joint event.
Perhaps BCS could relax a little and be a little more genuine in supporting a
joint event. SoC has many bright minds but the society is in peril as a
separate entity because the pot of people willing to pay for membership and
attendance at a separate event has dipped below the viable threshold. Shared
conferences are good and should continue in my view but start with a blank
piece of paper and make them genuinely shared - not simply trying to dovetail
some SoC involvement into what remains a very BCS leaning event. Do away with
the BCS/SoC branding of discrete elements and just host a mapping conference.
There are two main societies for cartography in the UK - BCS and
also the Society of Cartographers (SoC). And that's before you add in various
other niche societies like the Charles Close Society or the larger umbrella
organisation the Association for Geographic Information. Without unique selling
points and a large reservoir of potential members a proliferation of societies
dilutes the membership of each. It’s certainly the case that at an individual
level many people have paid to be members of multiple societies. At a corporate
level, many organisations have simply felt obliged to be seen to be members
because it’s just the done thing. This situation cannot continue unless each
organization offers something markedly different. But they don’t, which is why
we see the same people and the same organisations at multiple events.
Interestingly, it seems people spend so much time and money attending national
events that you rarely see anyone from the UK at international events and so
the insular nature of UK cartography becomes self-organising.
To me, SoC is the more progressive, agile and modern of the two
societies but it struggles with very low membership and that has implications
for the amount of work and events they can stage. BCS is arguably the more
secure of the two in terms of membership but falls back heavily on trying to
appeal to corporate cartography - whatever that actually is any more! SoC tends
to be more relaxed. BCS more formal. SoC tends to encourage more academic and
practitioner focused discourse and presentations at its events. BCS has
certainly lent more towards the business side of cartography more recently.
Academics have become a rare breed at the BCS annual symposium partly because
they need to focus their work elsewhere (where it counts) and partly because
the relatively high cost of attending symposium precludes purposeful participation.
There’s always a lot of grumbling behind the scenes and between
cohorts who align themselves more with one society over the other. Awards
dinners and ceremonies have led to grumbling. "too formal", "too
many awards". "too stuffy", alongside "we're professional
and not bunking up in student digs". "we don't do pub quizzes"
etc. People enjoy cartography and the world of mapping yet it seems that when
they come together both societies feel the need to complain about one another.
It’s tedious, particularly for those who enjoy aspects of each society and who
have been members of both for years.
For years, many have had to juggle the financial implications of
attending multiple BCS and SoC events, either trying to justify 2 separate
conferences that had much in common or, worse, trying to be in two places at
once. And what about corporate members? It’s unreasonable to ask companies to
sponsor different events and hard for them to justify doing so. It drains
resources to go to both (and more) but leads to a perception of support for one
over another if they make a choice. Asking people to give up time from their company
jobs to attend multiple events with similar content is simply too demanding and
leads to people and organisations to seriously question the relevance and worth
of attending or supporting. And so, when societies do come together, it
shouldn't be too difficult just to accept each other's idiosyncrasies because
the whole really is so much better than the sum of the parts. Maybe that's the
problem - people are simply too entrenched in the style of the society they prefer
and become tribal about their distaste for how the other's prefer their
society. But we're all one cartography - surely we're already in a small enough
club to be able to develop a society that meets the needs of all of us?
BCS Council and composition
In the face of massive change in cartography, for BCS, there
exists an unhealthy old school club mentality that largely stems from the
structure it maintains and the (lack of) turnover of key people. You can call
it a Council but in truth it’s better framed as a club that key members have
shaped over many years. They seem to like it the way it is and change, or the
suggestion of change, is not met favourably, if at all. Maybe it’s just become
too easy to roll out the same formulae year on year. Members of Council are
familiar with many of the same people having been involved for many years. Empires
have been built and cliques formed. In some respects this is inevitable because
you form close working relationships, get on with some people and perhaps not
so well with others. But let’s not forget this is a volunteer organization and it’s
not healthy that if you aren't in the club you struggle to find a place in the
club.
Why don't new people come to the fore more? Partly because Council
has become the closed shop I’m speaking about. It's become an echo chamber and
people can all too easily see that they don't belong or cannot have a genuine
and meaningful purpose for getting involved. The rhetoric may be one of
welcoming all to take part but the reality is that people are nominated and
seconded and then elected by a very small, inward looking set of people. It's become
incestuous and has been getting worse for several years. Of course, the counter
argument is the society would fold without these key individuals and to an
extent that's a valid observation. But I hear a lot from inside BCS about how
so many simply don't have the time to do things for the society because the
effort of overcoming the hurdles at Council level becomes too time-consuming in
itself. It’s understandable given the number of competing events as well as
heavy workloads people inevitably carry but it’s important that if people are
going to step up they have proper support and a defined role. At the moment,
people get elected and then can end up doing very little, or simply repeating
what they already know from their small circle of people in the industry. It's
not a good model for developing a society and bringing on board new people and
new ideas to reflect the changes we see more generally. It also leads to those
who do try their hardest to become disillusioned through a lack of others
pulling their weight or renaging on agreements. In a small community everyone
needs to contribute else it becomes a society with small initiatives that come
and go rapidly as people’s energy rapidly depletes.
The lack of rotation on Council is a reflection of BCS not
offering much more generally so new people don’t have any real reason to want
to get involved. Discounts at Stanfords
and for OS maps are the latest ‘benefits’ but anyone can buy offerings from
both places cheaper elsewhere so in real terms the benefits are worthless. The
perception of what constitutes a benefit is irrelevant at the level of the
individual. It does little to encourage membership and why would focusing
energy on working on a Council that seeks these deals be seen as something
worth giving up valuable time for? Many of Council’s other work is a huge
time-sink as well because the work is largely done by a few core individuals. The same people are seen everywhere which
becomes the image of the society. Take Restless
Earth as an example of something useful that BCS does. It’s a good initiative
in many respects but let’s be frank - it doesn’t support members, it won’t
attract new members, it is expensive and money could be diverted elsewhere to
make a bigger difference to members or to more people who might consider being
members. This in turn could help to revitalize the society and bring new people
and ideas to Council.
So some of the bodies on Council change a little but what new
initiatives have come about in, say, the last 5 years? I've been privy to the
minutes of Council meetings for the best part of a decade or more and they are little
more than repetitive talking shops. It's mostly about house-keeping and
deciding on really rather petty stuff to support the function of Council itself.
There's so little real discussion about genuine ideas but instead, just the
stuff that keeps the status quo ticking over. Action items are routinely held
over as ongoing or written off as complete but there's no real evidence and no
real need for an outcome anyway. Many people’s attendance at Council has been
sparse though it could be argued that Council is probably too large anyway.
It's also become very autocratic with much being decided at Presidential level
through email with a few key people. Sometimes this ends up being tabled at
Council as a fait accompli or decisions are simply implemented. It’s
understandable because this can be a way of subverting the tedium of a Council
meeting to get things done but if Council and the committee structure no longer
supports the need for more agile thinking and action then change the
structure. It just makes Council weak
and a relic of a former structure that no longer meets the needs.
Even if a Council is retained it also needs to modernize. Spending
money getting everyone to London four times a year for meetings seems
profligate when it's already a challenge keeping a relatively small society
running. Technology supports very good conference calling these days. Think how
much money BCS would save on travel and subsistence just by doing this twice a
year instead of convening in London four times a year. Telephone and video
conferencing is a fundamental part of modern communication. It’s how the world
has modernized. Distance is no barrier to communication and the UK isn’t that
big anyway and I would strongly argue that at least 90% of Council’s business
could be done remotely. This would minimize the impact on individuals,
notionally giving them back time that could be used more productively.
The expenses policy for BCS Council members is archaic and also
needs modernizing. As a fee-paying
Fellow I find it quite objectionable that part of my fees go towards supporting
Council member’s hotels, travel, meals and wine. I do think officers of the
Society should be entitled to some financial support but as part of a policy
that works to benefit the society. BCS should not have to spend what it does on
travel and subsistence. This is money that can be spent elsewhere and be of
benefit to the society.
BCS events and activities
For a society to function properly, it needs to offer events and
functions. It needs to give people a reason to belong. It needs online
discussion forums and meetups. It needs to support genuine networking and
collaborative opportunities. Take this last year for instance. There's
certainly been activity on the Restless Earth workshops, Restless Earth
certainly gives good PR and the schools and children get great value but it’s
really just become a vanity project. And
is it really offering insight into the world of cartography? Even Restless
Earth needs modernizing. Exploring paper maps on tables is great in many
respects but the exercises should have been using web-based materials for at
least the last 5 years. Why haven't the paper maps been augmented with cutting
edge web mapping? It's not because offers to re-shape the programme into a
web-offering haven't been forthcoming. They have. They're just met with
scepticism and apathy and so the offers of help are not taken up and so
progress is painfully slow. Cartographic education at whatever level has
moved on tremendously in the last decade but it’s gone beyond what we might
have once called ‘cartography’. GIS is absolutely vital and Restless Earth
could so easily support analytics or web mapping. My own feeling is that too
many of those who have supported Restless Earth are not sufficiently skilled in
modern practice to deliver the required content. Yes, they give of their time
and that is a credit to them as individuals, but showcasing a cartography of
the past perpetuates the myth that cartography is an old art. These are
children growing up in the age of the Internet of Things, X-box realism and so
forth. Showing them a few paper maps just does not cut it anymore. I know many
hark back to the ‘good old days’ but that is not how to run a society equipped
for the modern day. As a society, BCS needs to be at the fore with their events
and the people that run them...not offering glimpses into the past. And why
would schools want to become members? What's on offer? Where's the next level
for these schools and children? While a lot of effort goes into the
Restless Earth initiative perhaps it's too much because it does not benefit the
vast majority of members of the society. And why have I focused heavily on
Restless Earth? Because there is precious little else.
The Fellows evenings and autumn lectures have often taken the form
of a speaker and a reception over recent years. For understandable reasons (one
of our members can secure the venue) use has been made of the RAF Club in
Piccadilly but I’m afraid this doesn’t present the society in a way that
resonates with many. Having to ensure you’re attired according to the rules of
the club and submit your name beforehand is not welcoming. It’s another example
of the perception of many that BCS represents a bygone era of cartography. Last
year’s autumn lecture was held in mid-afternoon and that’s just not helpful for
people to be able to attend. BCS is
simply out of step with what it deems attractive to members or Fellows in this
respect.
The Better Mapping series has become tired as well. In 2016 there
were numerous cancellations to Better Mapping seminars. It's unsurprising given
attendees were being charged to attend the day long sessions. Low uptake is
inevitable. Ten years ago this model worked but these days people (anyone, not
just members) can get far more tuition via the internet so shelling out to
attend a course needs to have more than a few people (that many are likely
never to have heard of) showing PowerPoints. Times have moved on and while we
might privately agree that a day with experts is better than whatever you can
scrape from the internet it's an incredibly tough sell. People get their
education from many other places these days. Even Universities and companies
are giving away tuition as pump primers or simply to provide them with
visibility. Look at the incredibly successful Penn State University MOOC on the
Geospatial Revolution for instance – 70,000 people have taken that course for
free. The payback is that dozens have enrolled for their fee-paying MSc course
and so the cost of developing the MOOC yields very real benefits. And what of
the Maptime initiative which has spread from the idea of a few friends to over
70 separate Chapters globally in 2016.
Maptime could have been a BCS idea except it wasn’t. It was created by
people searching for a place or ‘club’ to meet, network and share ideas about
mapping. They shunned mainstream societies because they didn’t offer anything
and, instead, went out on their own to make something that inspired them.
Companies are also building their own materials to support the wider community
of cartography. Mapbox have all manner of tutorials. Individuals created
content such as MapSchool, Adventures in Mapping and other great material. Among a range of outreach activities, at Esri
we build MOOCs too and there’s cartography news on the horizon too. It could so
easily have been a BCS initiative but it isn’t and that opportunity has now
also slipped. I raised the idea of a cartography MOOC with the President a year
ago but there were simply too many barriers to getting the work done and doing
it under the BCS banner. When I suggested it in an email to BCS a year ago I
was invited to put it together on my own. That simply wasn’t helpful. When I
proposed the idea at work it immediately got traction, we held meetings to plan
and put in place strategies and resources to get the thing done. Until BCS can
properly support ideas from members then successive initiatives will pass the
society by.
Better Mapping still has a place but it simply has to be free to
attend. The content also needs an overhaul. Make it useful, relevant and get
some big names to deliver key talks. It needs big names, and I mean big. It
needs people that others are really wanting to see and hear from to attract
people...not just whomever volunteers from BCS Council. Yes, we might
know who our close network of people are and what their cartographic chops are
but most others have never heard of us.
Beyond the personel, again, look at other meetup models like Maptime –
it genuinely works and encourages participation. Sponsorship comes in the form
of free pizza supplied by CARTO for the evening. It’s informal and
practice-focused. It’s led by people who are keen and want to learn as well as
share ideas. Many other meetups offer free beer. There are many people
providing online courses or meetups like Maptime these days and hardly any are
BCS members. If BCS wants to be relevant in this area of offering professional
guidance, tuition and seminars it needs investment to make it top class, to
make it compelling and to make people really want to attend. It’s simply not sufficient
to claim to be an authority if there is no mechanism to evidence that to those
who we seek to help or influence. Alternatively, why don’t BCS turn these
meetups into opportunities to sponsor – e.g. Maptime, sponsored by BCS. If the
new mapmakers aren’t coming to BCS then swallow your pride, dig into your
pocket and go to them.
Even when events do get people through the door BCS does hardly
anything to encourage them to stay. At Symposium in 2016 I offered a one-day
free workshop on Better Mapping with ArcGIS. It got over 60 people in
attendance. I did it to give something back to cartography, Of course, I get to
showcase the tech of my employer and I get to share workflows and ideas which
provides me with a business case to do what I do for free at the point of
delivery. Crucially though, it was on topic and based on something people
wanted and all of the data, maps and resources were freely given to attendees. And
it was free to attend with a lunch provided for by Esri UK through sponsorship.
A simple but effective way of reducing barriers for people who just wanted to
come along and learn and not worry about the impact on their wallet or their
need to bid for company support for a paid-for event. I know BCS saw it as an opportunity to
encourage people to stay on for the full conference (which is part of the
reason pre-cons are hosted) but I believe only around 10 people stayed on –
many of whom would have come for the main conference anyway – which was not a
good rate of conversion by any stretch. What that told me was something very
clear. People were happy to come to Cheltenham for a day to join in with the
free day but they were neither willing to spend on the over-priced
accommodation to stay longer or sufficiently motivated by the programme to
warrant staying. The evidence is there...give people what they want at a price
they want to pay (often free) and that helps people. I got some great feedback
from that pre-con but where was the effort by BCS to capitalize on those people
and to get them to stay for the conference or get them to join the society? There
were so many ways in which participants could have been given incentives to
stay but it was another opportunity missed. Those who came had a good time and,
I hear, left impressed with what I shared with them. It would certainly have
been nice to have seen BCS stalwarts try to capitalize on it.
A Better Mapping with QGIS event was also held in November at
Ordnance Survey but here's the killer - it was 40 GBP for BCS members and over
80 GBP for non-members. Why? If you want to give back to the community...give
back. It was hugely ironic that a day’s event on mapping based on the use of a
proprietary product was free yet the event based on the open-source product
incurred a fee to join in. There
certainly weren't 60 people in attendance but even at 30 people and a modest
estimated income of 2000 GBP I fail to see what charges needed covering?
Accommodation was presumably not charged for by Ordnance Survey (if it was,
they should have gone elsewhere). Did speakers get travel and subsistence? I
don’t know but my feeling is that they shouldn't. I didn’t claim anything for the pre-con in
Cheltenham but maybe there’s an assumption my employer can support my
participation because of who they are – that’s certainly been an assumption
I’ve heard in the past. The sort of assumption that particular companies can
soak up costs only goes so far and the will runs out eventually. Again, maybe a
decade ago the model was different but BCS simply cannot be a society who
appear to have to charge for events such as this. Find a way to offer the same
or better for free to many more people. There are surplus funds in the BCS
coffers so it becomes rather invidious to be seen to be charging a fee. That
said, if BCS continue to shed reserves at the same rate as in 2016 (a 17,000
GBP loss) then a root and branch assessment of the finances certainly needs to
take into account how events are managed.
When you look at the events BCS puts on it doesn’t extend much
beyond the symposium anyway. Each of the President’s bulletins ends with a list
of events of interest to the community and most have the * Not Organised by the
BCS strapline. When a member’s bulletin does little more than advertise other
events you need to question what the society actually puts on itself.
My sense is these sort of on-site professional seminars have had
their day and others are doing them far better and much cheaper. A better
option might be for BCS members to spend time making high quality materials in
the form of web content, datasets, maps, presentations, videos, how-tos and
then to send them to people around the country to host free local events. A
network of mini BCS club nights or joining with others to sponsor their events.
It’s the Maptime model but done properly it works, is far less in terms of
expense and encourages local participation. It also massively reduces the need
for the same people to traipse around the country on expenses. Start with a few
key players and then roll it out across more places. There could even be remote participation by a
‘visiting expert’ via Skype or similar.
BCS re-branding, products
and communications
We also saw a re-branding exercise in 2016. An inordinate amount
of time, energy and cost has gone into the re-branding and for what? Gone is
the classic logo and Galliard typeface. In its place a blocky logo and Gotham
typeface selected after a hurried and somewhat limited consultation phase.
Gotham. That most American of fonts which was commissioned by GQ magazine and
came to prominence in the Obama Presidential campaign. No typeface screams
'American' more than Gotham. This is the British Cartographic Society. The Cartographic
Journal has taken on the appearance of the Bulletin of the Society of
Cartographers with its new cover design but it retains the same internal layout
in what is now a horrible mismatch. The Pantone blue of the new society colour
scheme is likely the very same as SoC too. And the web site...the very shouty web site with overtly large fonts.
Let's be clear...this is a society about cartography and the design, look and
feel should reflect the professionalism. What we now have is a generic web
site, a generic font and a somewhat generic look and feel. There is nothing
that's really distinctive. Nothing that really sets BCS apart or invites
people's curiosity. And you know the trap has been well and truly fallen into
when you read that the society is 'exciting' and 'dynamic'. The web site is chock-full
of this sort of rhetoric but woefully short on real substance and content.
Now don't get me wrong, I am not saying for one minute that a
little sprucing up wasn't needed. The web site needed seriously updating and
The Journal may as well be part of the overhaul but...at what cost? The web
site is nothing more than a skinned WordPress site. And it cost a lot of money
(I'm led to believe in the order of 8000 GBP and that’s without factoring in
on-costs such as hosting). Couldn't this have been done by a member on Council
or even offered to members as a project? We skin WordPress sites for ICA web
sites. It takes a matter of hours. It's not difficult and somewhere in the BCS
membership someone should have been up to it. This is another example of the
people on Council making decisions without necessarily possessing the necessary
skills to take BCS forward by knuckling down and doing the work themselves. And
while changing the colours and typeface are, to an extent, a matter of taste,
all they've done is papered over the very obvious cracks underneath.
A crucial question when reviewing the quality of a web site is to
reflect on how often you visit and for what? Go on – ask yourself. My answer is
virtually never. Where is the content? What need do I have to go to the web
site at all? It offers very little and with all of the other social media and
web-based content that gets delivered direct to me there's no need to visit the
web site to get any news or other information. I even took time when it was
first released to go through and de-bug. I found copious broken links and pages
that lacked content. I even managed to log in to the administrator page where I
could have done untold damage but even Russian spies can’t be bothered as
there’s nothing in there to change. I just checked – I can still get to the
administration page…crazy! [update: as of checking on 30th March I can no longer access the admin page]. Some bugs have been fixed, many were not but the
bigger problem with the web site is that up-to-date and frequently posted content
is sorely lacking. Other societies have daily or weekly posts or blogs. Many
have professional discussion forums and live job postings and other crucial
information. Not the BCS site. It remains horribly static and even hides
publications like Maplines in a members-only area. Members get the print copy. Why not give the
world a digital copy to show what BCS is doing? Hiding content helps no-one.
The BCS social media presence is also lacking. Who does it actually speak to
any more?
Frankly, Google provides a far more useful site to find out about
cartography, the people involved in cartography, the companies they work for
and so on. I go to the Cartotalk forum for daily discussions. Why doesn’t BCS
build a similar discussion forum for the UK/European contingent of
cartographers. Why doesn't the web site have a featured map section or a
featured cartographer? Where are the interviews with award winners? Where is
the daily feed of interesting carto-nuggets? There are so many opportunities
for sections and content but the reason it's bereft of up-to-date content is
that it relies on people doing stuff. That's why the web site is fairly static
and that's why Maplines has historically always struggled to get copy in on
time - although hilariously early in 2016 they had to jettison the piece on the
award winners due to having too much content. Priorities! And in 2016 we get a
randomly sent President's bulletin as a PDF. Really? The contents are hardly
worth downloading the latest version of Adobe Reader. A general blurb about how
vibrant the society is and what events a few key people are attending to man a
booth followed by a few nuggets culled from one or two social media feeds
(including my blog). Granted, not everyone uses social media as a way to stay
informed and there's a place for other modes of communication but we're
proliferating communication conduits: Journal. Web Site. Maplines. President's
Bulletin...the semi-abandoned blog; intermittent Twitter and Facebook posts.
Under the last President, Pete Jones kept a really rather nice monthly
President's blog of interesting comment and it's a shame that wasn't built
upon. Web sites that invite people to return and see value require investment
in time and effort. A redesign does not do the job of attracting or keeping
people. Content does that. Even at its basic level content is out of date or
erroneous. Even today as I write in early 2017 it includes details of the
forthcoming conference at Cheltenham as well as multiple other pieces of
misinformation, broken content and pages not found.
What of the little Cartography book? It was/is a fantastic piece
of work but without a wider distribution it's just not on people's radar. It
was a ridiculous decision not to allow a third party publisher the rights to
reprint and distribute. It's been in high demand and it's shooting the society
in the foot being so precious about it. By now it should be a downloadable PDF
or, better still, a series of web pages with exercises that schools and
interested individuals can tackle. It could even have how-tos and examples up
there on the web site and act as a basis for people (e.g. members) to add to
with their own workflows and content – practical tips etc. The web is the
perfect place for this sort of content but alas all we’re told is that there’s an
updated edition in the pipeline.
Printing this sort of material and selling it is no longer a suitable
mechanism for the sort of simple, basic content it communicates. Augmenting it
with short videos showing how we work, or reviews of great maps pointing out
why they are considered great. The opportunities to build upon the little book
are massive. It’s been nearly ten years since it was published and I’m afraid
BCS has once again failed to capitalize on the idea and the product. What about
a BCS YouTube account with a series of videos based on the book’s content?
Actually have people show, share and teach the ideas. I love that little book
but times move on.
Let me turn to The Cartographic Journal with which I have had most
input regarding my own personal contribution to BCS. I was Editor for 9 years
and I was largely left to do the job because nobody stopped me. In the end I
called time when I decided I had had enough because it’s a tiring and
time-consuming (volunteer) job. My involvement with the Publications Committee
and Council was virtually non-existent and so The Journal was produced with
very little input from Council. I left the Journal in a good place with many
papers through review and lined up. There was no great search for a new Editor
and despite my suggestion that the post should be at least advertised there was
a quiet succession to the then Assistant Editor with whom I switched places to
assist a period of transition. And then, to the surprise of everyone on
the Journal's Editorial Board, news of a change in publisher to Taylor and
Francis, as part of their takeover of Maney Publishing, emerged.
Let me be clear - at no time were members of the Editorial Board properly
consulted on the ramifications of this change. It seemed a perfect time
to reconsider many aspects of the Journal but a decision was made to just fall
under the T&F umbrella because it was the path of least resistance. During
the last two years we've faced the pitiful situation of every issue being late.
It's simply not good enough and despite claims to the contrary it is not entirely
the fault of T&F. Of course there would be teething problems but
having got the Journal back on schedule I know how much work it takes to keep
it on schedule. It is painful and time consuming but it falls on the Editor and
the team to ensure content is lined up and ready to go. This clearly hasn’t
happened. I know many on the Editorial Board have not been asked to do any
Journal work during the last couple of years which strikes me as astonishing. BCS
received compensation to the tune of over 4,000 GBP from T&F for their part
in the Journal being late but what has been done with this money? Have members
been compensated? Perhaps the money has gone to fund a special project? Or has
it just gone into the coffers to shore up the loss from 2016?
There are other issues with the Journal too. During my time as
Editor I often raised the issue of considering moving it to become an open
publication. At a time when many
publications are considering going open or moving to online it seemed sensible
to find ways of moving our respected but niche publication to engage more
readers and build its reputation. Instead, BCS chose to allow T&F to just
add it to their stable which also includes The Journal of Maps and the new
International Journal of Cartgoraphy as well as a plethora of GIS and Remote
Sensing titles. Despite persistent claims to the contrary, The Journal has
never been considered a member benefit by the majority of members. How many
members read it? How many members even want it? It’s an academic journal and
supports academic discourse. That it was launched out of the BCS in 1964 is of
great credit and pride for the society but it needs to be cut loose and not
seen as something that speaks directly to members. It needs a much wider readership than it
currently enjoys. At the moment I can’t be bothered to read half of the
articles because they are published so late and I’ve often seen the work
elsewhere on the internet anyway. I just
read an article published on a blog with the statement that it had been
submitted to The Cartographic Journal. I’d wager that it doesn’t get published
until at least 2018. T&F need to be doing more to find ways of making The
Cartographic Journal independently viable. It builds a financial surplus for
BCS but it needs to be doing something different for the community more
generally and certainly for members. Cartographic Perspectives is free, thriving
and enjoying a much wider distribution. The new International Journal of
Cartography can expect to take some papers away from The Cartographic Journal
over the next few years. The Cartographic Journal is not thriving. It is doing
OK but it needs to stabilize and then explore how it could do so much more.
Of course, the BCS President took over the Editorship from me and
he knew of the immense time commitment that came with the role. When he subsequently
became President of BCS I suggested he hand over The Journal to someone else to
ensure it got the time and attention it required. I (and others) doubted he
could do both jobs. I don't see how one person (any person) can be President of
a Society, Editor of the flagship Journal, as well as doing his own job and
having involvement elsewhere in other societies and professional bodies. The
work needs sharing else every job gets short-shrift. I make no apologies for
sharing the advice I gave the President on this count. It still stands and I
feel that it would help The journal to be handed to someone who has the time to
give it the attention it needs.
I’ve covered the existing major titles in the BCS stable but we
shouldn’t stop there. So many other societies are evaluating their mechanisms
for engagement. I’ve mentioned that ICA have their new International Journal of
Cartography and that other journals are being made open access to meet changing
needs. Others, still, are experimenting very successfully with other forms of
output. For instance, NACIS are now in their third volume of their hugely
impressive Atlas of Design and have announced Editors for a fourth edition.
This is an atlas of submitted work which is sifted, curated and then built into
a beautiful atlas by a team of committed members of the society. It’s such a
simple idea. Why haven’t BCS come up with something similar? Yes, we had the
Anniversary book which was terrific but build on it – take the idea of curated
sets of maps forward with new ideas. We had the Landmarks in Mapping book to celebrate
the 50th Anniversary of The Cartographic Journal but it remains
missing from the web site as a BCS publication so even when people do make
effort there’s precious little ongoing effort made to promote. If that’s the
sort of encouragement people see for spending time on getting ideas into print
I see why BCS members don’t want to commit more time but in truth there should
be no lack of ability to build a UK version of the Atlas of Design. I’m quite
sure there are other ideas too that showcase cartography and which could be badged
as BCS. There’s the small book on cartography. But what about a big book too?
Another void that will soon be filled by others where BCS could have found
opportunity.
BCS, UKCC and ICA
Inevitably this section is going to veer into territory that may
seem more personal but I feel compelled to share these experiences as a way of
shedding light on the way the society is run.
Were it not for a trip to a bar on Friday 28th August 2015 in Rio
de Janeiro where the incumbent President and I chatted I may well have become
President of BCS. On that evening, three days before the deadline for
nominations, I was the sole nominee for President and Alex was the sole nominee
for Vice-President. By the time ballot
papers were distributed there were two nominees for President and none for
Vice-President. That’s politics! More alarming is that year on year the process
for nominating members to Council or for various posts passes with barely a
whimper. The voting is even worse with less than a 10% turnout more than a
common occurrence (i.e. maybe 70 or fewer people actually vote). So the cycle
continues and the same faces are voted onto Council. When you see the nominations document it’s
clear that nominations come from those largely on Council who nominate those
who’ve already been on Council or who are close friends. I lost by a relatively
narrow margin but I was unsurprised not to win. The model and the process
in place supports the continuation of the status quo. But it could be
different. What about getting students involved and giving them a voice on
Council (a very successful approach used by other societies)? What about a
clear process for succession so a V-P always becomes the next President, has 2
or 3 years then has to step down to Past-President with very specific roles
identified (e.g. symposium management)? There are just many ways to find a way
to elect people and this ought to be considered going forward, particularly
when the normal turnout is almost so low it’s barely worth holding an election.
There are roles on Council but they are diluted among a range of
sub-committees with numerous people sitting across numerous committees. It
really just needs one committee and dedicated responsibilities assigned to
people who have the clear time and commitment to carry them out. In a
volunteer organisation there is no time or place for people to sit on Council
as a vanity project. The reality is that many people get onto Council and then
either opt out of doing the required work or find that the demands of the role
are more than they are able to commit to. Conversely, the busy people find they
get even busier and have to say no to taking yet more roles. People also get
elected when it's clear they actually do not have the skills to offer the
society but posts need filling. Yes, many of them are decent people and I count
a good number as friends but you need much more to run a society than a
collection of mates, nominated and voted onto Council by mates. I can
understand why it becomes easier to run the society as an autocracy given the
numerous sub-committees and demands but it's really no way to govern. I've been
aware of some really messy issues during the last year which really could have
been handled much better. Accusations, counter accusations, ignored or 'lost'
emails and miscommunication are really no way to run a steady ship but when
personalities begin to come to the fore, the cliques clash and there are
casualties. It’s bound to happen.
BCS is awash with committees with perhaps the oddest being the UK
Cartographic Committee. This is a largely self-organising group of people who
are supposed to represent the depth and breadth of the UK cartographic
industry. Except it’s really a sub-committee of BCS and, so, cannot ever be fully
independent. It has become a largely
irrelevant quango. It supposedly acts as an interface between BCS and the International
Cartographic Association (ICA). Again, it’s populated by many of the same
people over the same years and doesn’t achieve very much. Actually, I can’t
recall a time when the composition of the committee changed so one has to
question its impartiality as it does seem to be set up to serve its own needs,
whatever they actually are. Even in the
most recent Maplines (Winter 2016) the report from UKCC was that they didn’t
meet because there was no business to discuss and while they spun the argument
as saving money for the society (largely through notclaiming travel and
subsistence expenses) the committee shouldn’t be a drain on BCS anyway. How
many members even know that BCS funds this committee along with monies to
support people’s attendance at ICC every two years? Even if UKCC is designed to
be the UK’s reporting structure to ICA the least you’d expect is it did those
jobs properly. It doesn’t.
One of the roles is to compile a National Report to submit to the
ICA General Assembly every four years. Instead of the committee being in a
position to author this, a weak trawl for contributions is made and a thin
report formed out of what responses are received. Hardly comprehensive or,
indeed, a solid reference point for UK Cartography. It’s partial at best and
the defense to that criticism is a 'lack of response' to calls for content. But
where is the real engagement and effort? It takes more than an email or two so
we end up getting National Reports reflecting the work of people, you guessed
it, on BCS Council or who are vaguely active members of BCS. As the National
Report is published as an issue of The Cartographic Journal we also end up with
a very thin issue which does two things. Firstly it uses up an issue of an
academic journal for bland copy and, secondly, because it’s thin it leaves the
Editor with the unenviable task of balancing the year’s page budget (96pp per
issue, 384 pp per annual volume) by ensuring a fat issue elsewhere. As Editor,
I suggested over 6 years ago that the 2011 National Report should either be
digital or an additional issue in the years it’s needed. The suggestion received
scant attention and was rejected. 2019
will see the next National Report. Make it an insert, a digital only issue, a
pen drive distributed to national delegates at ICC. Anything! Just don’t waste
an issue of an academic journal.
UKCC is also charged with organising entries to the ICC Barbara
Petchenik map competition. This is routinely embarrassing as the UK has had
either none or very few entries. It’s truly astonishing that we can't get a
load of schoolkids to draw some maps. UKCC hides behind excuses for this as
well with claims of it being difficult to organize etc. No, it’s not. You
compel people in BCS or UK Cartography more generally to get their own children
to draw a map. You get those schools who are BCS members to take a lead and
generate content. You engage the schools who’ve been involved with Restless
Earth to organize their own competitions to generate content. You organize a
British map competition for school kids and take the very best to the ICC. You
use social media to capture the attention of people. The US are doing it. And
doing it successfully. BCS could generate a huge amount of exposure as a
society that gets our children to participate. Instead, every time the
Petchenik competition gallery is displayed at ICC we see multiple submissions
across multiple age groups from many countries and, at best, a handful of UK
entries. Frankly it’s embarrassing. I agree it’s hardly the most important aspect
of the working of BCS or UKCC but it’s an indicator. It’s an easy way to get
exposure on the world stage and to encourage our children to get into some
mapping but we routinely miss the opportunity. I was pleased to see recently
that Ordnance Survey were promoting it via their own blog but it didn’t appear
on the BCS web site until 3rd March – only one month before the
deadline. It’ll be interesting to see what entries these two rather paltry
efforts at garnering interest actually receive.
So UKCC needs its own shake-up or perhaps just get rid of it
altogether as an unnecessary committee, save the money and get people to do the
work as a role on BCS Council instead. If, as seems to be the case, the UK
seems not to want to bid to host an ICC any time soon then there seems little
point having UKCC anyway. And why don't we want to host an ICC? Maybe it's that
problem of 'too much effort required' again? Yes, the finances may be a
challenge but there's no reason it couldn't work and it's a disgrace that the
UK feels unable or unwilling to want to bid to host an ICC. Every now and then
it gets raised but immediately disregarded and that’s more an indictment on
those who run and sit on this committee and BCS Council than anything else.
Yes, of course organizing a major conference takes a lot of time, effort and
funding (though this last bit can be mitigated through careful planning and
sponsorship). But it smacks of a lack of real energy that people don’t want to
actually bother putting the effort in. Of Course, it may also be the case that
these people actually prefer the opportunity to visit far flung places rather
than stay at home and do the hard work themselves. It is hard work organizing a
conference of that there is no doubt but the UK should want to be a destination
for others.
The ICA is not exactly immune to politics either and I’ve often
suggested it runs like a combination of the IOC and FIFA rolled into one. It’s
fascinating seeing how dozens of nations come together every couple of years
yet keeping the peace amongst all their differences is a phenomenal challenge.
The last year or so has me scratching my head once more. Every four years,
Chairs of ICA Commissions have to be re-nominated by their host country.
As a UK citizen this means I go through the UK Cartographic Committee to
seek nomination and it is up to UKCC whether to support the nomination. Of
course, questions were raised when re-nominations were due in 2015 given I'd
recently moved to the US. Where I actually live and work is irrelevant as I’m a
UK citizen. Representing the UK as a Chair of an ICA Commission is something I
place great importance upon but it was uncomfortable having to listen to people
question my involvement. More recently, contributing my maps to the UK
submission for the ICC International Map Exhibition has also been questioned. It’s
hard when you want to continue to support your own country to be told your work
can likely not be considered because of politics.
The conflict between politics and personality is a persistent
problem though. I was asked by several members of the incumbent ICA Executive
to put my name forward to the UKCC stand for ICA V-P back in 2014. It was an
honour to be asked so I completed the relevant forms and submitted them to the
Chair of the UKCC as required. Again, it’s up to the UKCC to support a
nomination as they are the body responsible for putting forward UK candidates
for any ICA post. I then subsequently learnt that the Chair of the UKCC was
also putting his name forward. This is, of course, his right but there’s a
clear conflict of interests when the Chair is able to see other nominations
before drafting his or her own. A
sub-group of three people were appointed by the Chair to appear to remain
impartial in deciding whether his or my nomination (or anyone else – I do not
know how many others submitted nominations) was put forward as the UK's nominee
for V-P. It really came as no real surprise that the Chair of UKCC became the
UK nominee for ICA V-P and, as the National Delegate with voting rights at the
ICC General Assembly then became an ICA Vice-President at the Rio ICC.
It really doesn’t matter that these stories are borne out of
personal experience. It's just shabby politics whomever is involved. Having
become an ICA V-P, how the same person can also find time to remain as UKCC
Chair or sit on Council of BCS is questionable...it's a question of time
commitment once again but the same people get the same advantage across the
various BCS committees. I was told that ‘my time would come’ which was a little
patronizing. An ICA V-P can seek two terms – so 8 years. Currently I have the
time, skills and passion for such a role and I was encouraged to seek
nomination from those within ICA who wanted to get a younger group of people
involved. I’ll be in my mid-fifties when the opportunity is likely to next come
around and, frankly, no-one knows what the world of cartography will even look
like then. It’s a shame that the mechanisms are as they are and that it’s so
easy for internal politics to play such a prominent role in these nominations.
And what value have we had from our ICA Executive V-P since he was appointed?
I’ll just leave that one for consideration but if the point of having UK
involvement in the ICA is to benefit the UK cartographic scene then it needs to
be visible. Maybe such posts shouldn’t be markers of age or time-served and,
instead, should be put to the vote of a proper representation of UK
cartography. At least that would avoid the inevitable accusation of cronyism.
I was reappointed as Chair of the ICA Commission for Map Design. A
number of others were also nominated to lead ICA Commissions which reflects
well on the UK because it’s a clear demonstration of visible commitment. ICA requires us to commit and to deliver a
programme that is clearly set out at the start of each four-year period. We are
accountable to ICA but we should also be accountable to BCS, the UKCC and UK
cartography more generally as they are the supporting bodies. Those of us
who are Chairs or Vice Chairs should be made to present at the BCS Symposium on
a topic allied to the Commission. Indeed, this has long been voiced by the
Chair of UKCC but there has never been any requirement. We should be required
to demonstrate what we're doing and what progress we're making against our
promises. The very least BCS should expect is to see what these people
are doing on the world stage, otherwise what is the benefit to BCS or UK
cartography? I have always sought to submit papers to present at the annual BCS
conference allied to the work of the Commission on Map Design. I did so again
for the 2017 conference but the paper was rejected. So now even the work of Commissions
that BCS support through UKCC is being marginalized from our own events. I
would bet few in BCS even know about the ICA Commissions, what they represent
and what they are or aren’t doing. Commissions also have to do something. The current
President of BCS also became Chair of a new ICA Commission on Topographic
Mapping in 2015 but it’s done virtually nothing since being formed. UKCC cannot
continue to support already busy individuals becoming even more over-committed.
BCS Awards
Any awards conferred by a society are done so for two reasons.
They convene merit on an individual or organization through the judgement of
peers which is rewarding for the recipient for sure. But let’s be honest –
awards are mostly a form of advertising for a society because they are an easy
way to shine a light on the society through the work of others. It provides
quick and easy copy and for cartography, a load of free-to-reuse graphics and
maps of a significant quality. You only have to look at the BCS web site home
pages and the cover and leading copy for the Winter edition of Maplines to see
how much the awards are used as a way to promote BCS. For years the BCS awards were
in the doldrums. They garnered relatively few entries and the ceremony at the
Symposium gala dinner became laughable because the same people continuously won
the same awards. I know. I'm one of them. The truth is that the awards were so
poorly promoted that only people on Council or those in the know ever bothered
entering – so the same people inevitably won.
It does the society no good whatsoever to be in a situation that
their awards are on rotation with the same members - sometimes the same members
of Council - constantly winning the top awards. This has improved over the last
couple of years and that was largely down to the commitment of the person who
took on the role of Awards Officer. It’s a clear example of what happens when
the right person is in a role that they can fully commit to. The number of
entries increased and are increasingly of a consistently high quality. There’s
actually been a good array of maps on show at Symposium recently. This
certainly demonstrates the health as well as the breadth and depth of UK cartography!
The awards ceremony was fantastic in 2014 and 2015 - a real highlight of the
Symposium with a professional polish. 2016 was a little less polished but it
transpired that behind the scenes there had been difficulties and a clash of
personalities. Whatever the truth of the situation (and there’s inevitably two
sides to every story depending on whom you speak to), such difficulties are
inevitable and need to be handled in a way that doesn’t impact the awards or
their presentation. My own view is that if something is running well, give the
person enough latitude to do the job. Do not micro-manage.
Whatever the role within BCS, a volunteer organization needs
energetic and enthusiastic people. When difficulties arise they need dealing
with quickly. I've seen communications from different parties involved in the
2016 awards season and individuals did not handle the situation at all well. Even
before the 2016 awards, sponsors had threatened to withdraw support and have
been actively reconsidering their involvement. I can understand them re-evaluating
their involvement. What do sponsors get any more? The Presidential PDF after
the 2016 awards didn't mention them. The March 2016 issue of Maplines 'ran out
of space' for noting the 2015 winners. There’s little value in having their
company name as a sponsor when the handling of the awards descends into
in-fighting between Council members. I understand at merged conferences in
order to acquiesce to the sensitivities of SoC there was a desire to downplay
the presentations. Just because BCS has around 6 awards plus a load of
commended and highly commended and SoC only has one main award that’s life.
Deal with it.
I enter the maps to support the awards...not to try and win
anything. In the past I entered to
ensure the gallery at Symposium actually had some content. These days it’s more
just habit and I get more out of the process by engaging in a public critique
of my work with friends and colleagues. Of course, it's nice to win but having
done so, BCS really needs to get things sorted so that winners get the
recognition that BCS claim is due. I have broad enough shoulders to not
be too concerned about missing certificates and suchlike but for others this
could be a career-changing moment. They have a huge opportunity to capitalize
on their success and it should be a really proud moment. It seems that for all
the clamour to use the awards as a cheap form of marketing the sponsors and the
winners are largely ignored. You win, then that’s just about it.
And my, didn’t everyone get in a muddle last year!!! I was
privileged and fortunate enough to win the BCS trophy for ‘Pitch Perfect’ in
2016. I was awarded it on the night of
the Symposium dinner. Pictures were taken (and subsequently emblazoned
everywhere). I bought everyone a drink
and celebrated and then returned the trophy to my hotel room in Cheltenham.
It was a good night and it was a huge honour to win the big prize. I was given the big bowl to keep for a year. At no time did anyone talk to me about my
responsibilities for safe-keeping of the trophy that evening or during the
following day of the symposium. It came in virtually non-existent
packaging so knowing I had to fly it back to the USA with me I went to a local
DIY store in Cheltenham (opposite GCHQ as it happened!) and purchased new
packaging and spent the evening in a hotel room at Heathrow making a parcel to
ensure it would transport undamaged. I paid 160 GBP for excess baggage to get
it back to the USA. I take good care of it and know I have to return it next
year for the next recipient but in the meantime I want to showcase the trophy
because why wouldn’t you want to have some fun?
The trophy has spent some time at work because it’s a trophy won
off the back of the effort of many people at Esri. Normally it sits on a map cabinet at home but
I decided to take pictures of it in various situations (a bit like someone
taking a teddy bear round the world and sending postcards). My intent was to
help promote BCS through sharing pictures and promoting the awards. Giving the trophy some exposure seemed like a
simple way to give something back and to encourage others to perhaps enter next
year and have a chance of winning it. There's no point it just sitting on
a mantelpiece (or map cabinet in my case). So I started taking pictures
and posting them on my twitter account. Some of the photos are serious. Some
showing a modicum of irreverence - just for fun. These photos have
garnered lots of good feedback but late last year I started receiving emails
and then a phone call noting the displeasure of people in BCS regarding the
photos. Perplexed, I tried to get to the bottom of the problem and I eventually
received an email from the President asking for the trophy to be returned to
the UK because it shouldn't have been removed anyway...and noting that I need
to have it insured. Frankly, this issue shows me exactly what’s wrong
with BCS. Becoming embroiled in a spat about one of their awards instead of
focusing on proper objectives says it all.
The trophy could have come in a proper box. It could have come with a
set of notes about the rules and regulations. It could have included the
insurable value. It could have had properly signed certificates. Anyone on BCS Council
had every opportunity to tell me it shouldn't leave the UK before I had little
choice. It’s not as if people don’t know I live outside the UK. If BCS treasure
the object more than those who win it then treat it like The Ashes and don’t
actually present it. Otherwise, accept that it becomes the possession of each
year’s winner and trust them to do with it what they will and return it in the
condition they received it. I’m afraid this has rather dampened the joy of
winning the big bowl and I hope others don’t face the same issues in future.
While BCS should rightly be proud to host awards it needs to do
more to showcase the winners and to make their win a clear benefit to the
society. Features in Maplines? How-tos and interviews on the web site? Make a
proper gallery or a publication comprised of the entries every year? Just something,
anything other than just reporting that winners won! Frankly no-one needs to
see a picture of me with an award but there were 8 pictures of me in the Winter
2016 Maplines including 6 of me in my daft map suit. It’s overkill and lazy
just to keep showing pictures. A lack of other content? Possibly.
If BCS is to continue to boast of prestigious awards then it needs
to have strong mechanisms to govern them, make clear the rules and regulations
and encourage a much wider range of entries else it all gets rather awkward and
prone to criticism. I’ve long held the opinion that judging criteria should be
published for each award. I also subscribe to the view that each award should
have a winner presented every year. At times in recent history some award
categories only present ‘Commended’ or ‘Highly Commended’ awards rather than a
‘winner’ with the claim that some overarching criteria precludes a winner in a
given year when the quality is not deemed to have reached a sufficient
threshold. In most map competitions, entries are simply judged against those
entered during that year and so it’s reasonable that the winner simply has to
be selected from the best of that year’s crop. Holding entries up against a
higher standard might be perceived as being elitist and certainly
discourages entries. Yes, the society needs to assure itself of professional
standards but each award has different criteria and are judged by different
groups of people and it creates a lack of continuity, certainly when the actual
detailed criteria for how the awards are judged are not made public.
Anyone who has entered BCS awards before knows how time-consuming
the entry forms are to complete. I am quite sure they are very off-putting for
many and I’d question what purpose they actually serve. Why not just get rid of
them since they're an unnecessary barrier? The same goes for some of the
out-dated requirements for submissions. For instance, supplying an electronic
map on a CD with accompanying static images or a movie made to show the
functionality of a web map is ridiculous these days. Supplying a URL should be
sufficient. I'm simply suggesting that the awards need to keep pace with the
times, reflect what needs rewarding in the map-making world and then keep the
entry requirements as simple as possible to avoid putting people off
submitting. Just allow people to submit their work as a PDF or URL online,
assign them space (which could be limited depending on the venue) and have them
bring the work themselves.
Judging can easily take place at the event. This is common – ICA
do it. IMIA do it. SoC do it. Esri’s map gallery does it and FOSS4G do it to
name but a few mapping conferences with galleries and awards. Awards can be
presented on the awards night but engraved and forwarded – or actually, just
present awards that don’t necessarily include the name of the recipient.
Instead just ‘2017 Stanfords award winner’ or similar. It’s sufficient. The
process BCS use is archaic. Requiring work to be physically sent to various parts
of the UK sometimes 4 months ahead of the Symposium itself is not helpful to
individuals. It also means people have to be thinking about submitting work so
far ahead of the event that the maps and the work have often already piqued
interest long before the symposium delegates see it. Encourage more entries and
get people involved by reducing the barriers to entry. The display at symposium
also needs to somehow better handle digital entries. A large screen or a laptop
and projector could help. A screen was used in 2016 and this improved things.
It just takes some effort to manage but every year I see some magnificent work
across the internet that I never see at the Symposium. Ask people to submit
posters of digital content with URLs or even QR codes so we can wander round
with our smartphones and link to the digital content.
It's a shame that there’s so many hurdles to submitting work for
the map gallery at symposium. If winning is something people aspire to, then
beating several dozen or more other maps becomes a real badge of honour.
Winning by default because there’s hardly any entries does neither the society
or the individual much good. Taking part is, for me, the fun part and I’d
strongly encourage BCS finding ways to support far more people sharing their
work and taking part. The symposium and, ultimately, the awards, will be so
much richer for it.
BCS Symposium/Conference
Let me turn to the Symposium more generally. A tricky one this
because it's usually the one time in the year people come together and that's a
real benefit to having such an event. Except it isn't the only time people meet
any more and symposium has become bland because it runs on virtually the same
model every year. Same structure, same comfy country pile. Same exhibitors who
already know each other because they go to all the other geo-expos in the UK. A
little opulence to charge to the company and a golf tournament to boot (which
gets about 4 entries per year). In 2016 the pre-con workshop was scheduled
against the golf tournament which seems absolutely ludicrous. Why don’t our
National Mapping agency sponsor the symposium at the top level? That seems to
be a ridiculous situation and the fact they don’t has to be a source of concern.
The exhibition continues to showcase the same companies every
year. The cost of exhibiting obviously goes some way to generating income to
support the event but these are costs that exhibitors are questioning. People
do not need to see a company in an exhibition any more. We get the information
from the internet. Seeing and meeting people goes on anyway because the event
is relatively small. Hosting teas and coffees elsewhere during breaks doesn’t
help with any sort of through-put of people who actually try their hardest to
avoid the exhibition during the event. Many stands in 2016 weren’t even manned
though being a corporate member includes a stand at Symposium so putting up a
banner and having a desk with flyers becomes a default.
There's so many formats that could be used to reinvigorate the
symposium but the key thing for me is I want to go to an event to listen to new
and emerging cartographies and the people that are involved. I want to use it
as a genuine networking opportunity and not just an excuse to catch up with old
friends - that's a bonus. I want to have to actually think about my
presentation and step up rather than knowing I'll likely be sandwiched between
a couple of commercial pitches and stock powerpoint presentations. I go to a
large number of events across the globe and there are so many more interesting
conferences, meetings and formats used.
I have a theory that, quite simply, it's largely the same people
who go to BCS Symposium and they're just bored of cartography which is
reflected in a lack of effort that goes into the programme or the presentations.
And they likely don’t go to many other cartographic conferences so they never
see what great work and formats is on offer elsewhere. In a world that has so
many new opportunities to meet, the symposium needs to work much harder to
offer something genuinely worth attending. It’s also up to individuals to
really put effort into a compelling presentation. Most attendees meet regularly at GeoData
events or at monthly meetups, GISRUK, RGS events, RSPSoc, Maptime, #geomob, Esri
UK Conference, AGI events etc etc. Meeting at Symposium has simply become a
mark on the calendar rather than something to get hugely excited about and we
likely already know what presenters might say. Sometimes we’ve even seen the
same presentation elsewhere. It’s why many younger people new to the industry
seek other, more genuinely interesting conferences to spend their hard earned
conference budget and time on. The nature of conferences has changed in the
last decade because of the transformative ways in which the internet has
impacted. We can easily meet virtually every day and we often already know what
people’s output is. Symposium really needs to find a key differentiator to
encourage growth and engagement, presentations that are exciting and
informative and a more varied diet. Become a conference where people present
new work and try out new presentations rather than a conference where they
throw a well-worn presentation into the mix to justify attendance and get a
free day’s registration.
The fact I live in the USA has had no impact on my relationships
with friends and colleagues in the UK. I'd even suggest I have more contact
despite the ground distance between us increasing. In monetary terms I probably
spend more than any attendee on symposium simply due to the airfare and for
each of the 6 symposia I've attended since living in the US all but one has
been paid for out of my own pocket. I do so because I am committed to
supporting a strong cartographic community in the UK and to, hopefully, share a
little of what I see and learn on my own travels. But increasingly I get little
in return. As someone who has supported symposium through attendance and
participation it should be a concern that people like me are considering not
attending. Exhibitors are already talking about not exhibiting. Sponsors of
awards have actively talked about withdrawing support. This all adds up to a
symposium in rapid decline and one which needs transforming to encourage a
reversal in fortunes.
Presentations have always been hugely variable in quality and with
a single track I find it hard to believe it's difficult to fill 2 days of
conference. Indeed - last year I offered a pre-con, an individual presentation,
a joint presentation and a workshop. Too much Ken? Yes, of course there was but
where is everyone else? There are far too many people attend who you never see
present. Is it because they have nothing to share? Crucially, there's far too
many excellent people who never attend at all and that's the real worry.
Capturing these people to reinvigorate Symposium is crucial. And you don't do
so by repeating the same tired format year after year. The involvement of SoC
has undoubtedly helped bring different people to a shared event but if
membership of BCS is around 700, the symposium attracts maybe 120 people (these
are guestimates)? It's not a good return for a small island. It offers very
little for the cost of attendance. I had a paper rejected for 2017 on a topic that
is brand new, pertinent to the theme and off the back of ICA Commission work.
Of course, no-one has a right to have presentations accepted and if there are
genuinely a huge range of other, strong submissions then a year without me
presenting is no bad thing.
My strong steer is for BCS to look at different models and learn
how others have adapted. In a world of MOOCS, meetups, online collaboratories
and multiple opportunities to meet virtually and in real life, the symposium
must look to be different and give people a genuine reason to attend. The idea
of a pseudo-posh hotel is not attractive to many people. Indeed, the sort of
venues that BCS have used in recent years have all been a little shabby. They purport
to offer something they don’t. Whether it’s poor internet connection or the
builders and decorators are in, there always seems to be a problem with the
venue. None are particularly set up for a high quality conference yet the cost
to attend is relatively high due to the accommodation being falsely rated as
higher than it truly deserves. Forcing delegates to the faux-grandeur of a
hotel set in pleasant grounds does nothing to encourage people to part with
their money. In some respects, it gives
people false expectations of what they’re going to experience. And what of the locations chosen? It’s always
a challenge to move locations because inevitably some people will have to
travel further but I have a bigger issue with the moving of locations and that
stems from the fact that BCS hardly ever uses the actual location. Why even
move the conference around the country if it's always to a venue where the
majority never leave the confines of the presentation room and hotel bar itself?
There used to be visits to nearby cartographic places of interest but these
seem to have died out. There isn't even a trip to a local pub any more which,
given Cheltenham had a CAMRA pub of the year a mile away was almost
unbelievable. And in 2017 we’re in the midel of nowhere. Literally. I know a
good number of people for whom it’s a deciding factor not to go.
I’ve noticed a trend recently that many of the faces I used to see
at symposium just don’t attend any more.
I’ve asked a number why this is the case and they simply say they don’t
get anything out of it and it is too costly.
I’ve asked myself why I still attend. Partly because I still hold on to
some sense that I feel it's important to put your money where your mouth is and
play an active part. I certainly can't write this without being someone who
tries to play an active part in the community and I hope to influence change by
being involved. But I inevitably compare the events I go to. The week before last year’s symposium I was
in New Zealand at their conference called GeoCart. The contrast between GeoCart
and the BCS symposium was stark. One was vibrant and forward looking, relaxed
and friendly. The other was stuffy with people keeping closed ranks, a
programme littered with commercial pitches, and a commercial exhibition that
everyone's seen before. Everyone is too comfy with one another. Everyone sees
each other with increasing regularity. They know what people are going to say,
what they represent etc. Symposium, for many, is just one event in a busy year
of many events and has lost that sense of identity and uniqueness.
Programme committee might ask themselves why there's been such a
decline in research-based academic talks? Where do these people go instead and
why? The answer is simple - cost/benefit. There's no benefit to an academic
going to symposium to present their work. The cost puts it out of reach. There
are far more useful venues for people to present new and interesting
cartographic work. So we end up with a fairly weak programme bar a few
notable highlights.
Of course, sponsorship remains important but other events manage
without it so why not change the model. If the model of venue is too costly
then change it. Even consider going to a standard venue in London or
alternating between, say London and Edinburgh. What about University
facilities with proper lecture theatres? How many people make genuine business
connections at Symposium? Really...proper business connections? How many even
bother leaving their hotel room with the flyers they get in the ubiquitous conference
pack?
There's so much that could be reconsidered to reinvigorate the
symposium but here's a funny thing - after the 2016 conference BCS members were
sent a survey. Then the 2017 venue is announced, then a reminder to complete
the survey is sent. So the survey has very little hope of informing 2017 which
we learn is in a remote country hotel. We need modern venues, good
gallery space, strong and consistent wifi, a proper social media presence, top
invited speakers and a more varied and inclusive programme. For instance – un-conference
sessions...student presentations...lightning talks...people talking about the
maps in the gallery...tips and tricks…proper hands-on sessions…hosted lunches
off-site…external visits and trips…ICA sessions etc.
What about the Special Interest Groups? The Map Curator's Group
seem active but then again they mostly operate outside BCS and don't really
venture into the mainstream symposium so who would know? Historical Military
Mapping Group again seem relatively active but with little integration with the
main conference. The Design SIG has done hardly anything except a few workshops
at Symposium. This, in my view, doesn't exactly constitute a Special Interest
Group. It's lazy to have your 'event' at Symposium and more effort needs to be
put into supporting the outreach of these SIGs or again, cut them and just use
BCS as the central vehicle. The GIS SIG is also guilty of this. Should there
even be one any more? Should there be any SIGs? I would streamline the society
by getting rid of them. They don't offer enough for them to be viable
sub-entities and there certainly aren’t enough people to keep them going. My
general point here is, as with Council, the SIGs give an air of fragmentation.
If necessary, just have sessions at the conference where there's a focus on
these or other equally valid sub-groups for people. Get everyone together, not
send them in different ways all the time.
With all this in mind do I really want to go to Durham in
September? What is the single compelling reason I should make it a highlight of
my year’s travels? Should I consider submitting work to share or just become
another of the mass of passive attendees? I’m not exactly sure what I’ll do
this year. Maybe it’s time for a break or maybe I do just want to say hi to
people I rarely see. Currently I’m not enthused but hopefully as another joint
conference the programme may have moved a little further towards a style that
is at least a little more progressive.
Concluding remarks
OK, I’ve raised an awful lot. It’s taken a good while to write and
I know that in a world with increasing attention-deficit this has been a hell
of a read so I thank you if you've got this far and for giving it your attention. All I seek to do is cut through the crap and
despite it being a very personal view, put out in the open what many more than
me are also thinking and saying to each other in private.
I am quite sure I'll be castigated in some quarters for expressing my views in this manner, or at all (I know which quarters they will be and I am ready for it). I accept that this will ruffle some people’s feathers but
just sit back and ask yourself precisely what you get for being an individual member, Corporate Member or
Fellow of BCS. Further, if you're involved directly...what do you actually do?
And if you're not involved then why not? Societies need active members. If you're not a member but have read this then what sort of society do
you want (if at all?). What would make you want to join? I can guarantee one
thing...in this day and age it's way more than a new Pantone blue and American typeface.
Before you think this is all going to be news to the current people on Council, I wrote a brief summarised version of many of the substantive points I have explored here to the new BCS President in late November 2015. I
was thanked and told that he and the Vice-President would get back to me with
thoughts. They never did.
I'll likely see you all in Durham for a pint and would be more than open to discussing these issues further whether you agree or not.
Cheers.
Postscript
Inevitably, some are wondering why I chose March 29th to publish this blog. It coincided with two events - the triggering of Article 50 for Brexit and also the day when decisions on paper acceptances for the 2017 BCS/SoC conference were delivered. I had one paper accepted and one rejected. It's odd which was rejected and which was accepted but that's not my decision. After 12 years of straight acceptances I was due a rejection but some have put two and two together and assumed I'm just bitter about being rejected. Not true. What I did do is wait until a decision on submissions had been made because I didn't want this blog to colour their judgement. Personality and prejudice should not come into play. But it inevitably does.
Postscript
Inevitably, some are wondering why I chose March 29th to publish this blog. It coincided with two events - the triggering of Article 50 for Brexit and also the day when decisions on paper acceptances for the 2017 BCS/SoC conference were delivered. I had one paper accepted and one rejected. It's odd which was rejected and which was accepted but that's not my decision. After 12 years of straight acceptances I was due a rejection but some have put two and two together and assumed I'm just bitter about being rejected. Not true. What I did do is wait until a decision on submissions had been made because I didn't want this blog to colour their judgement. Personality and prejudice should not come into play. But it inevitably does.
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